2020年9月28日 星期一

恭賀本中心與加州大學聖地牙歌分校合作計畫之新書出版

 

恭賀本中心(RCHSS, NCHU)與加州大學聖地牙歌分校(UC San Diego)合作計畫之新書出版
Locating Taiwan Cinema in the Twentieth-First Century(Cambria, 2020)


恭禧本中心計畫成員陳淑卿(中興大學外文系特聘教授)邱貴芬(中興大學台文所特聘教授),以及林建光(中興大學外文系副教授)三位老師的文章收錄其中。

本中心與有榮焉,向學界各位先進、朋友們分享此一喜悅,並誠摯推薦此書。



 

【短片介紹】
https://youtu.be/i9G3ktJ9J_E

 

 
--------------- 本書簡介與資訊 ---------------

【出版資訊】
書 名:Locating Taiwan Cinema in the Twentieth-First Century
編 者:Paul G. Pickowicz, Yingjin Zhang
出 版:Cambria, 2020

連  結:http://www.cambriapress.com/cambriapress.cfm?template=15&bid=778

 

簡 介:

      Twenty-first-century Taiwan has been evolving in fascinating and complicated ways, in terms of culture, economy, politics, and society. This has led to renewed tensions in relations between the government of mainland China and various camps in Taiwan. In Taiwan, these tensions often focus on issues of identity. Who are the Taiwanese? How are the Taiwanese different from regional and global communities? How are the Taiwanese connected to these communities? Business leaders, factory workers, farmers, and migrants have their opinions. Cultural producers, including filmmakers and pop musicians, offer unique perspectives. Political parties, functioning in a democratic environment, fiercely debate these issues. Remarkably diverse ethnic groups contribute to this ongoing dialogue. This complex twenty-first-century debate in Taiwan is a politically healthy one that takes place both on and off screen.


     There has been much discussion of New Wave Taiwan cinema of the 1980s and 1990s, including research that studies the pathbreaking contributions of acclaimed directors like Hou Hsiao-hsien. This book updates the scholarship on Taiwan cinema by taking it into the twenty-first century. It is the first book to take a multidisciplinary approach to evaluating recent Taiwan films. The authors are specialists in cultural studies, history, and the social sciences, and they use different film materials and methodologies to analyze the ways in which filmmakers deal with the evolution of Taiwan’s society, economy, and culture in the new century. The emphasis is placed on the diversity of approaches that characterize recent Taiwan cinema. Taiwanese filmmakers use many forms and genres to tackle pressing issues. In sharp contrast to the late-twentieth-century New Wave filmmakers who were widely regarded as producing “art films” that had little impact on the domestic market, many recent Taiwan films have enjoyed huge commercial success in Taiwan.


     This book probes many crucial controversies: What are Taiwan’s meaningful cultural and historical connections to Japan? How do Taiwanese filmmakers and audiences feel about mainland China? How does Taiwan cinema deal with environmental issues, animal rights, human trafficking, sexuality, and the challenges facing ethnic minorities?


     Locating Twenty-First-Century Taiwan Cinema is an important book for collections in Asian studies, film studies, and the social sciences.